Is the phantom of the opera a good read?

It is a story about romance, obsession, suspense and mystery. The book was extremely interesting and thought provoking. I would definitely recommend this book to anyone who is a fan of classic literature or the Broadway musical. The story does go more into depth in Christine’s childhood and the phantom’s backstory.

Is Phantom of the Opera still good?

It remains as fresh and spectacular as ever. Andrew Lloyd Webber’s score has a visceral tug more than almost any score written in the past 20 years. Beautiful and romantic, I have to tip my hat: The Phantom of the Opera has aged divinely.” “Phantom still delivers the goods!

Why is the Phantom of the Opera good?

The music is undoubtedly another major reason as to why the show is so popular. With classic songs such as ‘The Phantom of the Opera’, ‘Angel of Music’ and ‘The Music of the Night’, the show has arguably one of the best musical scores, with every song being memorable and adding its own layer and flare to the story.

What is the moral of the Phantom of the Opera?

One of the main moral teachings of the story is that love between two people cannot be forced. It also highlights the need for every human to be loved. These two concepts meet in the form of Erik (the Phantom), who has a fierce, one-sided and possessive love for Christine.

Is The Phantom of the Opera true story?

The story of Erik and Christine Daaé is fictitious. However, Mental Floss reports parts of The Phantom of the Opera are based on historical events. For example, one of the more famous scenes in Lloyd Webber’s version of the story is the sequence where the chandelier falls.

Did Gaston Leroux believe in the phantom of the opera?

In the prologue of his 1911 book, “The Phantom of the Opera,” author Gaston Leroux claimed: “The Opera ghost really existed. I am not surprised that the history of the luxurious Palais Garnier in Paris includes an opera ghost. Construction of the huge opera house began in 1861 and took nearly 15 years to complete.

Who is the best Phantom of the Opera?

Michael Crawford Crawford reprised his role on Broadway in 1988, winning a Tony Award for his performance. In 1991, 1,300 performances and three and a half years later, Michael Crawford left The Phantom of the Opera. He will always be known by fans of the musical as the original and best Phantom.

Is The Phantom of the Opera the best musical?

The Phantom of the Opera has been named the best West End show of all time in a survey. Andrew Lloyd Webber’s hit musical has been running for more than 30 years and has had over 12,000 performances at Her Majesty’s Theatre in London to date.

Is Phantom of the Opera the best musical?

Is Phantom of the Opera considered real opera?

The novel The Phantom of the opera (Le Fantome de l’Opera) is under the category of gothic horror. He claimed that it was actually a true account. The Prologue claims it is a recounting of previously unaccepted facts.However, there are actual facts about the phantom and the Paris opera house mentioned in the novel that are true.

Was the Phantom of the Opera a real person?

The Phantom of the Opera (French: Le Fantôme de l’Opéra) is a novel by French writer Gaston Leroux. It was first published as a serialisation in Le Gaulois from September 23, 1909 to January 8, 1910. Gaston Leroux claims that Erik, the “Phantom of the Opera”, was a real person.

Was there a real Phantom of the Opera?

Phantom IS based on a real opera house – l’opera Garnier (I was there!) – but the story iteslef is just nineteenth century masterful writing by Gaston Lereux. The only factual part of the story is that the opera house was rumoured to be haunted, but that is it.

Does the Phantom of the Opera really exist?

The Phantom of the Opera did exist. He was not, as was long believed, born out of the fertile imagination of the artists, the credulity of the directors, or the ludicrous fancy and overexcited brains of the young ladies of the corps de ballet, their mothers, the ushers, the cloakroom attendants and the concierge. Yes, he did exist in flesh and blood, although he assumed in every respect the appearance of a ghost – that is, of a shadow.