How do I make my mastering track louder?

1. Make the mix loud.
2. Balance EQ.
3. Take it easy with bass.
4. Work to retain dynamics – by hand.
5. Use multi-band compression.
6. Use low ratios and avoid short attack times.
7. Use multiple stages of compression, with low gain reductions.
8. Don’t overdo the limiting.

How loud should a track be After mastering?

How loud should your master be? Shoot for about -23 LUFS for a mix, or -6db on an analog meter. For mastering, -14 LUFS is the best level for streaming, as it will fit the loudness targets for the majority of streaming sources. With these targets, you’re good to go!

How do you bounce a track for mastering?

BEFORE BOUNCING

1. Mix-down the various levels of your track so that they are balanced and panned as you want them, leaving plenty head-room on the master channel.
2. Ensure the project has enough “head-room” – when you listen back, the master channel should be peaking around -6db, with the fader at 0db.

How can I make my master louder without distortion?

How to Get Your Master Loud WITHOUT Distortion

1. Use True Peak Limiting and Oversampling.
2. Increase the Release of a Limiter to at Least 30ms.
3. Try a Double Limiter Approach.
4. Use the MetaPlugin with 8x Oversampling.

How do I make tracks louder in Pro Tools?

To change display views for an Edit window track, use the left-hand pull-down menu, under the track name, to switch from “waveform” to “volume” or another mode. The default “volume” is a horizontal line, at 0dB, indicating “unity gain” — no boost or cut to the volume of the clip.

Do you bounce a track before mastering?

If you want the mastering engineer to bounce your track with the first beat happening right at the start of the audio then let him know. Including a few seconds of ‘blank audio’ at the starts or end of your bounce also gives the mastering engineer a noise profile to work with.

How do you bounce a track?

Choose File > Bounce > Project or Section. In the Bounce dialog, select one or more destination formats in the Destination area. When you select a destination format, bounce options for that format appear to the right of the Destination area. For each selected destination format, choose bounce options.

How do I get LUFS without clipping?

Here are 7 tactics that I suggest using:

1. Turn it Up. The simplest answer is sometimes the right one, so don’t over-complicate it if you don’t have to.
2. Automate the Volume.
3. Use a Limiter.
4. Use Compression.
5. Use EQ to Cut Bass Frequencies.
6. Use EQ to Boost Certain Frequencies.
7. Distortion.

What does mastering a song Mean?

Mastering a song is simply using tools like EQ, compression, saturation, and limiting to accomplish these three things: 1 To make the track louder (not just in volume, but also in PERCEIVED volume. More on that later). 2 To make the track “sound better.” 3 To make the track more translatable to all different kinds of speakers.

Should you learn how to master a song before mixing?

Learning how to master a song is important, because it changes how you mix. Ultimately, you want to mix with the master in mind. If need be, you wouldn’t want to not have to master the song at all. But hiring a professional gives you what hours of practice cannot: objectivity. That’s why I recommend hiring one to work on your mixes.

Should you Master your own music or use an automated mastering service?

If you’re releasing an EP, for example, you don’t want two songs mastered by Aria and two songs mastered by you. You want consistency. So, to review: And if need be, use an automated mastering service like Aria to do a “shootout” with your own master. Whichever you pick, use for your entire project.

What are the benefits of stereo mastering?

However, the benefits of stereo mastering include cost and ease of delivering the entire project. Mastering a single audio file costs less than treating multiple files. Also, exporting, managing, and providing a single audio file is easier than dealing with numerous files. What is Stem Mastering?