Who is considered the best Christine in Phantom of the Opera?

1. Sierra Boggess. Sierra Boggess is the definitive Christine for many people. Boggess and her co-star Ramin Karimloo are praised for their on-stage chemistry and emotional performances.

What is the highest note the Phantom sings?

The Phantom has to sing a 2 octave range, which is a large performance range for a male voice. The lowest note is A Flat 2 and the highest note A Flat 4.

What note does Christine hit in Phantom?

E6
It is sung as a duet by Christine and the Phantom. At the end of the song, Christine sings her highest note in the show, an E6.

Who has played Christine Daae on Broadway?

Kimilee Bryant played the role in the Lloyd Webber musical on Broadway (1994–95; 1998; 2009–2012 occasionally) and in the Swiss (in German; 1995–96), U.S. National Tour (1996–98) and Toronto (1999) productions. Gina Beck played the role in the Lloyd Webber musical in London.

What is Christine’s high note in The Phantom of the Opera?

It is sung as a duet by Christine and the Phantom. At the end of the song, Christine sings her highest note in the show, an E6.

Who played Christine Daae in the 25th anniversary?

Sierra Boggess
Sierra Boggess is back on Broadway beginning January 21, starring as Christine Daae as part of the 25th anniversary cast of The Phantom of the Opera.

What is classclassical voice training?

Classical Voice Training’s events are specifically developed for classical voice users. We regularly bring together a team internationally renowned specialists to bring the best of tradition and innovation in vocal training to performers, teachers and voice professionals.

What is the standard of classical singing training?

The fact that message boards and forums across the internet are riddled with combative teachers and conflicting pedagogical thought would substantiate that there is no STANDARD of classical singing training. I will say it again: THERE ARE NO STANDARDS in ‘classical technique’ as a pedagogical training. NONE.

How can I get Out of my classical singing style?

You cannot ‘get out’ of singing with your classical sound. In effect, the muscles of your vocal system are firmly locked in place, and won’t adjust to other ways of working (style).

How do you use vocal warm-ups in the classroom?

Vocal Warm-ups –Develop voices. –See and hear them; turn into teachable concepts –Use warm-ups to address issues. –Take time to explain and label; reinforce and refine. –Model efficient and inefficient. Students model for each other.