Is The Shining book disturbing?

The Overlook is also filled by “strange and terrible forces,” as it says on the book jacket. The novel delves into the history of these terrible forces (and the events that spawned them), while the movie glosses over it. So the setting alone is disturbing.

Should I watch The Shining or read it?

The Shining movie may not be a good adaptation but Stanley Kubrick did a good thing by not COMPLETELY following what StephenKing wrote in The Shining novel. I can say watching The Shining movie is far better than reading a book in which almost 300 pages are boring.

Do I need to watch The Shining to understand Doctor Sleep?

Originally Answered: Do you absolutely need to see the movie, “The Shining” in order to understand the sequel, “Doctor Sleep”? Yes, you do. Kubrick’s adaption of “The Shining” changed so much from the book, it almost became a different story.

Why did Stanley Kubrick change so much in The Shining?

Why did Kubrick make the change? Besides thinking the book was “sloppy,” he wanted to distill the story down. To simplify it into the elements he thought would make the best movie. For him, that was a man becoming insane…not the backstories and an anticlimactic ending.

Is the shining Based on a true story?

The Shining was a fictional tale but the setting was inspired by the true hauntings within Colorado’s Stanley Hotel. It told the story of Jack Torrance (Jack Nicholson), a recovering alcoholic who took the job as the caretaker of a historic hotel during their off-season.

Is Dr sleep a sequel to The Shining?

Doctor Sleep is a 2013 horror novel by American writer Stephen King and the sequel to his 1977 novel The Shining.

Is Doctor Sleep Stand Alone?

Mike Flanagan’s (no relation to the writer) “Doctor Sleep” confirms what we already knew: it is impossible to create a sequel to the masterpiece that is Stanley Kubrick’s “The Shining.” When reviewed as a stand-alone thriller, the film succeeds in upholding its promised tension through a unique style of recollecting …

Did Stephen King like Kubrick’s The Shining?

Stephen King hated Kubrick’s adaptation so much that he made a three-episode horror miniseries on his own novel in 1997. It is safe to say that even though the 1997 effort was more faithful to King’s book, it had none of the cinematic artistry of Kubrick’s film.

Did Kubrick read The Shining?

3. Stanley Kubrick didn’t even read the screenplay that Stephen King wrote for The Shining. According to David Hughes, one of Kubrick’s biographers, Stephen King wrote an entire draft of a screenplay for The Shining. The two ended up spending eleven weeks working on the script.

Who opened Room 237?

Danny Torrance
Danny Torrance visited this room after a ball strangely rolled to him from its open doors. Later, he claimed that a “crazy woman” tried to strangle him. Jack Torrance then entered 237, in search of what his son claimed to have confronted.

Was Stanley Kubrick snarky in the final cut of the Shining?

The fraught creative conflict between Stanley Kubrick and Stephen King over the film adaptation of The Shining is one of cinema’s most infamous, but there is a detail that the auteurist director made sure to put in the final cut that is hilariously snarky even after all these years.

Why did Stephen King dislike the Shining?

Stanley Kubrick’s The Shining Goes Against What Stephen King Tried To Accomplish With The Book In the grand scheme of things, the main reason why Stephen King doesn’t like Stanley Kubrick’s adaptation of his third novel is because King believes it goes against what he set out to do with his book.

What did Stanley Kubrick think of Stephen King’s books?

While Stephen King has often seen the good in the movie and TV series adaptations of his work, even the ones that take dramatic liberties with their changes to the material, Stanley Kubrick’s deliberate defiance towards King’s novel and what the book was meant to represent remains a sore subject for the author.

How does the movie The shining compare to Stephen King’s novel?

The change between King’s novel and Kubrick’s cinematic classic, The Shining, serves as one of the starkest in the history of adaptations and retellings. Whereas King’s work is definitively moralistic and parabolic in its messages, Kubrick’s vision is much more surreal and ambiguous.